An analytical exercise by Euler L.

By Euler L.

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26 I will send my song 1951 Kam learned trnƒ≥≥ƒm from his older uncle Tá Yɔ̀ɔm. Another person he considers a teacher was Ràw Lìaŋ from his wife-taking side relatives. At about 1952 he learned many trnƒ≥≥ƒm from Khaḿ Làaŋ, who was almost ten years older and also from the wife-taking side. This youth knew more trnƒ≥≥ƒm than most other young people did, but he was very shy to tƒ≤ƒm at feasts which he seldom did. Instead, he taught Kam 122 Raw several trnƒ≥≥ƒm by means of the vocal genre hrl«≥fl which is quite different.

Kam Raw’s experience of vocal music Certain songs that Kam Raw learned belonged to ceremonies, many of which were religious. These ceremonial and ritual songs included those in the following list: Lɔ̀ɔŋ ŋɔ̀ɔr, ‘Showing the way’, was sung or recited at funeral wakes to guide 114 the soul of the deceased to the land of the dead. Pɛ̀ɛŋ kròoŋ, ‘Wine-measure song’, was sung when wine was served at funeral wakes. While people sipped wine through straws from a common jar, water was poured into it from a measure (a horn or a cup).

23 2. Kam Raw – His Cultural and Musical Background Kam Raw considers himself to belong to the Kammu people. His mother tongue is a dialect of the Kammu language. He was born about 1938 in the village Rmcùal in the area called Yùan, which is located north of the river Nam Tha in northern Laos (see Maps 1 and 2). He spent his childhood in his home village where life at that time followed rather traditional patterns, but from the time he was a young man life for 92 Kammu people in that area has changed radically.

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