By Theresa J. Enos, Keith D. Miller
During this choice of unique essays, editors Theresa Enos and Keith D. Miller subscribe to their contributors--a veritable "who's who" in composition scholarship--in trying to remove darkness from and complicate some of the tensions found in the sector of rhetoric and composition. The contributions incorporated the following emphasize key matters in prior and current paintings, environment the level for destiny inspiration and research. The ebook additionally honors the overdue Jim Corder, a massive determine within the improvement of the rhetoric and composition self-discipline. within the spirit of Corder's unfinished paintings, the individuals to this quantity take in, probe, stretch, redefine, and interrogate classical, smooth, and postmodern rhetorics--and problem their obstacles.
Beyond Postprocess and Postmodernism: Essays at the Spaciousness of Rhetoric could be of curiosity to students, lecturers, and scholars in rhetoric and composition, English, and conversation stories. delivering a provocative dialogue of postprocess composition theories and pedagogies and postmodern rhetorics, in addition to the 1st thorough attention of Jim Corder's contributions, this paintings is bound to persuade the process destiny learn and research.
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Additional resources for Beyond Postprocess and Postmodernism: Essays on the Spaciousness of Rhetoric
9 In addition to freedom, our humanness is constituted by language. 10 Sartre’s assertions are more radical still: In the intersubjectivity of the for-others, it is not necessary to invent language because it is already given in the recognition of the other. I am language. By the sole fact that whatever I may do, my acts freely conceived and executed, my projects launched towards my possibilities have outside of them a meaning which escapes me and which I experience, (Being 455) Thus the French existentialist concludes that “Heidegger is right in declaring that I am what I say” (Being 455–56), to which Corder gives his assent: “Our words never leave us; the message is not separate from the speaker” (“Varieties” 20).
Akron, OH: L & S, 1980. 9–17. Flower, Linda. ” College English 41(1979):19–37. Flower, Linda, and John Hayes. ” College English 39(1977):449–61. Fogarty, Daniel. Roots for a New Rhetoric. New York: Columbia UP, 1959. Freedman, Aviva, and Ian Pringle, eds. Reinventing the Rhetorical Tradition. Akron, OH: L & S, 1980. Gibson, Walker. Persona: A Style Study for Readers and Writers. New York: Random, 1969. —. Tough Sweet Stuffy. Bloomington: Indiana UP, 1966. Gorrell, Robert. ” College Composition and Communication 16(1965):138–43.
Flower, Linda, and John Hayes. ” College English 39(1977):449–61. Fogarty, Daniel. Roots for a New Rhetoric. New York: Columbia UP, 1959. Freedman, Aviva, and Ian Pringle, eds. Reinventing the Rhetorical Tradition. Akron, OH: L & S, 1980. Gibson, Walker. Persona: A Style Study for Readers and Writers. New York: Random, 1969. —. Tough Sweet Stuffy. Bloomington: Indiana UP, 1966. Gorrell, Robert. ” College Composition and Communication 16(1965):138–43. Kneupper, Janie A. Woods. ” College English 40 (1979):641–61.