By Harold Davis
Искусство макро-фотографии.The paintings of macro photography-photographing small items or tremendous close-ups of small sections of huge objects-yields attention-grabbing effects, yet taking pictures at this point brings its personal set of demanding situations. you can now shoot close-ups with self assurance and inventive aptitude with this information-packed guide.Renowned photographer Harold Davis presents pages of field-tested thoughts on concentration, depth-of-field, exposure-even the fitting apparatus to exploit for this specific area of interest of electronic images. The ebook comprises wonderful and fascinating examples of his paintings to demonstrate techniques.
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Additional info for Crative Close-Ups Digital Photography Tips and Techniques
To find out more about these post-processing techniques, see the suggested reading on page 234. 105mm macro, 20 seconds at f/36 and ISO 100, tripod mounted Worlds of wonder 43 Getting close Seeing Up Close and Personal Cameras don’t take pictures; people do. So the most important thing you can do to learn to take good close-up photos is to learn to observe carefully … up close. What is it that intrigues you about a macro subject? How close do you need to be? When you pre-visualize a close-up photo, is it in color or black and white?
When it comes to legs, two of the best manufacturers are Gitzo and Manfrotto. Tripod heads come in many varieties; which you choose is a matter of personal taste. That said, a ball head is probably the best choice for close-ups and macros because this style of tripod head allows the greatest ﬂexibility of motion and an ability to put the camera in any position. Kirk Enterprises and Really Right Stuff make good ball heads along with other gadgets for supporting cameras that are useful for shooting close-ups.
200mm macro, 1/4 of a second at f/32 and ISO 100, tripod mounted Creating Close-Up Abstractions One thing I love to do is take a fairly commonplace close-up photo and use the digital darkroom to transform it into a compelling abstraction. Viewers are often unable to tell what the original subject matter was. Hopefully, they’ll be intrigued by the composition, colors and patterns of the abstraction. If this approach appeals to you, start looking for close-up subjects with abstractions in mind.