By Alain Briot
Alain Briot states that, ''The character of the photographer has to be found in the picture for a creative photo to have value.'' And during this publication he units out to educate the issues which are crucial achieve this target. Following his profitable first booklet, studying panorama images, Briot is going past the traditional principles of composition and takes on a clean, new method of educating the artwork of images. established upon his own reviews as an artist, instructor, and photographer, he opens new doorways to the reader-doors resulting in new methods of seeing and composing photographs. Briot methods tremendous artwork images as being a mix of artwork and method. during this new e-book he addresses either one of those through featuring creative and technical details. at the creative aspect, Briot introduces creative options which have been hardly, if ever, linked to images. at the technical aspect, he offers a variety of instruments that could assist you the way to create greater images and offers technical strategies to universal photographic difficulties. the writer practices images as an exceptional artwork. What concerns so much to him is how images can be utilized to precise emotions and feelings. For Briot, a superb photo has to be either artistically encouraged and technically first-class. To have only one of those parts isn't adequate for a good artwork photo to achieve success. issues contain: - the way to compose with colour, with black and white, and with gentle - Why you must think of your viewers whereas composing a photo - Recreate the sentiments you felt if you happen to captured your images - How the weather of color-hue, distinction, and saturation-work on your pictures - tips to keep an eye on the weather that experience a visible influence on your photos - easy methods to draw upon your individual manner of seeing after which percentage your imaginative and prescient - the best way to diagnose photograph maladies and follow the right kind treatments - how to find a colour palette for a selected photo - find out how to use compositional components to enhance a private sort Forweword by way of Tony candy
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Yet, in a photograph, and of course depending on which lens you use, the corners of the 25 26 Chapter 3 Figure 3-2: Monument Valley Cloud – Original RAW conversion This is the photograph as it emerged from the RAW converter. Compare it to the final version. Figure 3-3: Monument Valley Cloud – Final version This is the same file as above, but after two days of work optimizing the image file. Because my vision for this image was dependent on the impact of the cloud over the monuments, a lot of time was spent on that part of the image.
As always, you get what you pay for. The second way to remove lens distortions is through the use of software. The first step is the RAW converter, and for this task DxO stands alone. 3 (Spring 2009) is the only RAW converter that doubles-up as lens correction software. Using calibration data targeted to each specific lens, f-stop, focusing distance, and camera-body combination, DxO calculates the distortion imparted by these variables and proceeds to remove them. The result is a new image, an image different from the one captured by the camera in regards to the geometry of the image.
The reality was there, embedded somewhere in the RAW image data, waiting for me to bring it out. This reality was not going to surface on its own, nor was I going to experience this scene again through the photograph without serious work on my part and without clearly remembering what I saw and felt when I took the photograph. In brief, the steps I took in Photoshop were to darken the sky, increase the density of the clouds, and selectively desaturate the image. I focused my efforts onto further desaturating the grass because the yellow color was completely inappropriate.